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The 3 Easiest Chopin Waltzes (piano)
July 27, 2020 by Taras (Terry) Babyuk
Introduction
Although Chopin is known to have written a total of about 20 waltzes, most of them require a pre-advanced to advanced mastery of the piano to be able to perform comfortably. Luckily, there are 3 that are easier than the others in difficulty level, and should be very manageable for intermediate and high-intermediate level students (think at least 3 years of consistent piano playing). They are: "Waltz in A Minor, op. posth., B 150", "Waltz in B minor, op. 69, no. 2", and "Waltz in A flat Major, op. 69, no. 1 ("L'adieu')". Although less technically-demanding than his other waltzes, they are just as beautiful!
Let's look at each of these pieces in turn and get inspired to learn them!
#1. Waltz in A Minor, op. posth., B 150
Quick Facts
- Composed: betw. 1843-1848 (betw. ages 33-38), posth.
- Pages: 2
- Key: A Minor
- Tempo: Allegretto (fairly fast)
- Ability Level: RCM Level 6 - intermediate
- My personal rating: 5/5 (love it!)
WHAT'S EASY ABOUT IT:
- The key(s). It's in A Minor, which means you will mostly be using white keys, though there are a few accidentals (especially in second half).
- It's short. There is really only about one page of material to learn. The rest is repetition.
WHAT YOU MIGHT FIND DIFFICULT:
- Ornaments. There are quite a few grace notes and several mordents in this waltz. Make sure to play them quickly and lightly, while maintaining the main beat.
- Arpeggio run. In one section of the piece, there is an E Major arpeggio that needs to be played quite fast (a triplet followed by a quintuplet). This might need a bit of practice.
- LH jumps. As is the case with a lot of Chopin's compositions, the left hand tends to jump quite a bit between a single note and a chord. Tip: practice the LH separately to get really comfortable with it before doing it HT (hands together).
#2. Waltz in B Minor, op. 69, no. 2 ('Deux Valses')
Quick Facts
- Composed: 1829 (at 19), posth.
- Pages: 4 (just over)
- Key: B Minor (with one part in B Major)
- Tempo: Moderato
- Ability Level: RCM Level 8 - upper intermediate
- My personal rating: 5/5 (love it!)
WHAT'S EASY ABOUT IT:
- The key(s). The majority of the waltz is in B Minor, which is not too difficult with only two sharps. Be warned, however, that it does change to B Major (5 sharps) briefly in the middle, before reverting back to B Minor again.
WHAT YOU MIGHT FIND DIFFICULT:
- Double notes. The second section of the waltz (the one in B Major) uses quite a few double notes, which might take some practice to get good at - particularly the legato double thirds.
- The B Major section. As mentioned earlier, this section of the waltz uses five sharps, which is bit of a change from just two. Luckily, the section doesn't last long.
- LH jumps. As is the case with a lot of Chopin's compositions, the left hand tends to jump quite a bit between a single note and a chord. Tip: practice the LH separately to get really comfortable with it before doing it HT (hands together).
#3. Waltz in A flat Major, op. 69, no. 1 ('L'adieu')
Our final sonata is very comparable in difficulty level to the second one. It is probably the least popular of the three featured here, but popular nevertheless. I give it a confident 4/5 rating.
Quick Facts
- Composed: 1835 (at 25)
- Pages: 4-5
- Key: A Flat Major
- Tempo: Tempo di Valse
- Ability Level: RCM Level 8 - upper intermediate
- My personal rating: 4/5 (very nice!)
WHAT'S EASY ABOUT IT:
- The tempo. At “Tempo di Valse”, this piece is the slowest out of the three. Tempo di Valse is usually played somewhere between 90-120 bpm.
WHAT YOU MIGHT FIND DIFFICULT:
- The key. With its four flats, A flat Major is by no means the hardest key to play in, but not the easiest either. So be prepared for four flats.
- The "tuplets". The piece contains several instances of quintuplets, sextuplets, and septuplets (groups of 5, 6 and 7 sixteenth notes played in time of one beat). This will require dexterity and finger agility.
- LH jumps. As is the case with a lot of Chopin's compositions, the left hand tends to jump quite a bit between a single note and a chord. Tip: practice the LH separately to get really comfortable with it before doing it HT (hands together).
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